FM modulation is so elegant it almost feels like a magic trick. After finally watching a 1940s U.S. Army Signal Corps training film, I realized just how simple frequency modulation really is—both on transmit and receive. Seeing the LC tank, limiter, and discriminator explained visually made everything click. Even better, that understanding immediately paid off in a modern, practical way: fixing an overly aggressive CW sidetone in my video QSLs using nothing more than an audio limiter.
I finally understand FM modulation and it's so simple I'm amazed it wasn't developed first. I found an old US Army signal corp video that describes how both FM transmit and receive work.
Audio Modulation
Receive Circuit
Limter
Using What I Learned
I made a lateral applicaiton of my new found knowledge this morning. I wanted to calm down the really loud Rockmite sidetone in my video QSLs. It occurred to me that an audio limiter might be just the thing to clip the amplitude tops off the sidetone while leaving the much quiter receive CW untouched. Sure enough, going 15 dB down with the limiter did the trick!
Notic that the limiter's cutting off the tops of the sidetone wave while leaving most of the other audio untouched.
Understanding FM modulation turned out to be less about math and more about learning style. Getting to see the ideas of FM laid out simply, and more importantly, calmly in terms of familiar LC circuits made all the difference. Once amplitude is stripped away with a limiter, frequency becomes the only thing that matters—and discriminators turn that motion back into sound with beautiful simplicity.


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